Videographic book question - so far, I’ve dealt with Soderbergh’s films with voice over and his TV work (FALLEN ANGELS, K-STREET) with text on screen just to give a bit of formal dynamism.
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The question I have is - should I treat BEHIND THE CANDELABRA like a TV show or a movie (it was a movie made for HBO that both was in competition at Cannes AND won Emmys)?
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Leaning towards movie…