Hard disagree. A lot of the main "research" seems to be about loose remarks by Hastings 25 years ago (compare to Hollywood, legendary for *never* exaggerating…). It exalts the role of advertising (!) and acts like Hollywood studios are auteurs, when Fast & Furious has ~as many versions as MS Word.
Reposted from
Aaron Stewart-Ahn
This deep dive on Netflix purposely turning movies into barely distinguishable forgettable slop is so insightful, researched & brutally hilarious. A must read if you want to really know what’s happening to the business AND culture of movies.
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But more to the point: ↵
https://youtube.com/shorts/zosZrx1HCiI?si=cR-oCN0OYnjQXU8G
*The lack of support for original IP
*The drawn-out painful sequalisation death of once good IP
*Too much & Bad CGI
*The mass-bombardment of the wrong kind of superhero movies (they should be reluctant, unique, isolated, suffering for their curse-not throwing skyscrapers at each other)