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coloughlin.bsky.social
Irish figurative painter. Identifying the self(ie): A visual conversation on social media’s impact on self representation www.cristinoloughlin.com
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No country has ever been destroyed by migrants just wanting a better life for their family. Many though have been destroyed by authoritarianism and fascism.

Procrastination… but make it chromatic! #polychromos part of the process though ;) #curatedstudio #contemporarydrawing #art

If men were killing beetles at the rate they’re attacking women, something would be done #speirgorm www.irishtimes.com/opinion/2025...

Better a bare foot than none Katarzyna Perlak @tbgands.bsky.social

Calling Visual Artists! 🚨 Crawford Art Gallery is excited to announce the inaugural Gibson Travelling Fellowship Award, a significant initiative aimed at expanding international mobility and opportunities for professional visual artists.

Identifying the self(ie): exploring the intersection of digital culture, identity and self-representation, focusing on how women are depicted and consumed in the age of social media. Slay, 2024, pencil and collage on wood, 29.5 x 21cm.

The Winter Solstice #Livestream is here! Join us and watch live on 21 Dec @ 8:40 UTC via 🔗 cutt.ly/Wintersolstice ❗️Accept all cookies to view the stream. Don’t miss this magical event! #NewgrangeSolstice #WinterSolstice

Arms Akimbo! I came across Joaneth Spicer’s 1991 essay on the renaissance elbow and the how the stance became a declaration of power in a world of strict social codes. Now it’s the girls that are claiming their space - commanding attention and taking control on #tiktok and #instagram

Mood, 2023. Pencil and collage on wood, 29.5 x 21cm #contemporaryart #emergingartist

Studio for the day ✨

In an age where we constantly curate our lives for the screen, I’ve been thinking about the impact this has on how we form and express our identities. But what do our curated lives say about our internal world? IM: modern roundabout, 2023, pencil and collage on wood, 29.5 x 21cm #contemporaryart