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darrenmjones.bsky.social
Music, films, books, tea.
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Trouble in Mind seems to divide opinion. Worth it for Keith Carradine's hair transformation alone, but Divine is great as the crime boss. An air of doomed romance pervades everything. I love it. It's on Prime, too.

Nice! The first remake of Pépé le Moko (1937), released a year later. This has James M Cain on writing duty and is shot by James Wong Howe. Also, Hedy Lamarr! Charles Boyer! Worth a look.

It's that time of the month when 'titles expiring in the next 30 days' on Prime informs my watching. Thought I might put some up, starting with one I watched recently. The Coca-Cola Kid (1985) was like Bill Forsyth with a satirical edge. Despite a raft of disclaimers, still amazing this got released

I have high hopes for the forthcoming S.G. Goodman album. The singles have been great so far open.spotify.com/album/5x6D66...

My song of the week is $5 on $105 by lowercase roses #sotw open.spotify.com/track/25bMdW...

Guess it's time to get back to my life's work documenting #milknoir Now that I've nuked the twitter evidence I'm starting over here.Gonna take me a bit to catch up, but please send me screenshot evidence of adults drinking or intending to drink milk in thriller flicks letterboxd.com/jedidiahayre...

The Coca-Cola Kid (1985), The Barefoot Contessa (1954), The Straight Story (1999), Chronicle of Poor Lovers (1954)

I love it when you watch a film on Netflix with Ads and there are no ads.

From: Mr. Bug Goes to Town (1941), dir. Dave Fleischer, Fleischer Studios This film was a key reference point for Hayao Miyazaki, and a favorite film of his around the time of The Castle of Cagliostro