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denizrudin.bsky.social
a kept man with sturdy equine haunches
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some panels from benji nate's catboy

psychotic lighting in steven soderbergh's black bag

keeping up with developments in human culture

Ryan Coogler's Sinners: Haint Misbehavin'

Sammo Hung's Pantyhose Hero (1990)

losing it at ‘returned to directing Oregon-set dramas’ after a single non-Oregonian movie on Kelly Reichardt’s wikipedia page

got tenure

hilarious editing in Matthew Rankin's Universal Language (2024)

visited the la brea tar pits today—a striking manifestation of LA’s natural desire to be paved

food in Taipei in 1997: durian stand; mcdonald's (Tsai Ming-Liang's The River)

magnus von horn's the girl with the needle, 2024

erving goffman on the oddness of introspecting about individual sentences out of context

very excited to have met professor Rudin

springer has offered me the exciting and unique opportunity to pay them $90 for a poster with the title of my paper in Linguistics and Philosophy on it—it's things like this that make you grateful for the apparatus of academic publishing

acquiring new desires

thought Kurt Russell and Tom Cruise were both really good in Howard Hawks' Red River (1948)

doseone; ta da; semantics steadily setting these idiots free www.youtube.com/watch?v=zrCS...

there's something very beautiful about this song/video as a document of a transitional period in the history of rap music: method man double-cigar abandoned-warehouse mean-mugging his way through references to nursery rhymes and dr seuss www.youtube.com/watch?v=PEnw...

honestly it just feels good to be acknowledged

from David Lynch's Inland Empire, an all-timer of a response to a basic how-are-you question

👋 This weekend I’m excited to be visiting Stanford for an artist talk and two workshops. I’m not quite sure why I chose such a lofty title a few weeks back, but I’m looking forward to digging into my art+science connections and we’ll chat about linguistics and still life. Hope to see you there!

set dec graffiti on the wall of a flophouse in Charlie Chaplin's Police (1916): WHO DUM—WHATS UP

got a dog