In the paper, we examine digital musical instrument design using ideas from STS, especially Pickering's "mangle of practice". The post-hoc stories found in research papers are often much tidier than how the design work really unfolded.
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Drawing on traditions of artistic research and first-person research methods, Teresa develops the idea of "technical practice research": design- or engineering-related activities in an arts context, where the locus of knowledge production is in the doing and not just in the final result.
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