"it has never been easier to mistake the narrator for the author [...] and to imagine that the conceptual gap or space of difference that separates the work of fiction from the world of reality is being closed or challenged by recent shifts toward an “autofictional” mode."
Reposted from
differences
in "Muriel Spark's Conceits," Timothy Bewes argues that Spark's novels "discover the means or the possibility of a thought that is subjectively uninhabitable," a thought "that only the novel form is capable of" — read it here: differencesjournal.org/writing/muri... /2
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