a collection of meaningless bits, arranged by an invisible hand into a shape that presents meaning and contains none. viewed as a group, the most visible quality is the annihilation of deeper context in favor of cheap effects and disposability. is this not the ultimate proletarian substrate?
this is in part down to its propensity to serve up thomas kinkade style sentimental nostalgic slop that recalls exactly the sort of fictionalised past that fascist rhetoric is built on
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