I've now seen all 18 Petzold features, and it was only while watching the final one on my list -- the not-very-good Die Beischlafdiebin (The Sex Thief, 1998) -- that I realized one of the main reasons I enjoy his films so much is because he's as uninterested in male protagonists as I am.
Reposted from Darren Hughes
The latest update to my Petzold list, after watching Tatorte last night. I didn't like it nearly as much as Wolves, but his genre work is my ideal right now. They're so perfectly made and pleasurable. I think my slow cinema days are finally behind me. letterboxd.com/longpauses/l...

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