I used to be super enthusiastic about The Hobbit at 48fps.
I was also hyped about Telegram emoji being overanimated as fuck.
I was excited about DAIN for a moment, thinking that I would someday have a use for it during production rather than using it to interpolate finished renders.
Nowadays...
I was also hyped about Telegram emoji being overanimated as fuck.
I was excited about DAIN for a moment, thinking that I would someday have a use for it during production rather than using it to interpolate finished renders.
Nowadays...
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Nowadays, good animation at steady 24-30 fps -both naturalistic or stylized- feels like stepping on crunchy autumn leaves and it's all I crave.
I think there were even a few Love Death + Robots episodes in the new season that looked like they were running above the industry standards.
Problem is I used to think that it should become the new standard as we're no longer "shackled" by the technical limitations that put us in the 24fps timeline.
Afterwards, I took a nice ride down the Dunning-Kruger slope.
What does a blockbuster look like when the motion blur is in your mind rather than baked into the film? That'd be a trip! Or disorienting as fuck! 🙉