I saw this face to face a few years ago. It really struck me and spoke to me.
It was a masterwork painted over a canvas of another painting of a young girl. Like a ghost beneath. Which could mean the poor artist has to reuse camvas, or could it be commentary of how artists expire without patrons?
It was a masterwork painted over a canvas of another painting of a young girl. Like a ghost beneath. Which could mean the poor artist has to reuse camvas, or could it be commentary of how artists expire without patrons?
Reposted from
Michael Lobel
James Ensor, Skeletons Warming Themselves, 1889 kimbellart.org/collection/a...
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