Recalled waking up the morning of my DMA comprehensive listening exam at 5am thinking: "Fuck. What if they play Mendelssohn? Would I be able to identify Mendelssohn?" (They did not play Mendelssohn.)
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One of the delights of reading Alex Ross’ The Rest is Noise was learning that the US officials who were curating post-war programming in Germany were concerned about playing too much Mendelssohn
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