I think Itō being 当事者 is the crucial point here. I've read various opinions and thoughts from people I respect, and to varying degrees they're all right... Nornes, Yang and others have raised valid, agreeable and fascinating points, but...
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Chelsea Szendi Schieder
Perhaps Ito could have done better to anonymize people or get consent — she makes this film as a 当事者, however, which makes her case different from other journalists and filmmakers.
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