god to say nothing of the “he’s always in my head and I’m both repulsed by my own feelings and absolutely head over heels for him” angle this version is taking and his own history…
i have an outline done for something based around this idea w/ louis+lestat going to see it together as a sort of waltz down memory lane while still in a tentative period of communication that very quickly becomes an emotional joint-mourning (though i’m waiting to actually see the film first lol)
i think it’s such an especially good catalyst for them both to reflect on, especially because it was moments before the “good period” of their life with claudia ended, considering how they’re only just now truly processing what happened in paris together
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also she’d be dying at all the gruesome bits while also critiquing how they should’ve had a vampire working on the film for authenticity