any original insights into the works or at least any enthusiasm for Shakespeare or any of his contemporaries (since I also read their works too and indeed I was rereading The Shoemaker's Holiday by Thomas Dekker today), I would be the best possible audience for them. Instead you're just a dead loss.
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And good for you. So did I, two decades ago at an off-off-Broadway theatre in New York City. We were practically sitting on the actors, but that just made it seem more immediate and fun. Nor did it hurt