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At @thefilmstage.bsky.social, Robyn Bahr counted down her top ten films of 2024.

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At @theartsfuse.bsky.social, Ezra Haber Glenn called THE DAMNED “a perfect little ice-cold January horror gem.”

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At @cambridgeday.bsky.social, @tbmeek3.bsky.social reviewed THE SEED OF THE SACRED FIG, THE ROOM NEXT DOOR, and SOUNDTRACK TO A COUP D’ETAT (the latter of which screens this weekend at @brattletheatre.bsky.social).

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At @bostonhassle.bsky.social, @annahoang.bsky.social reviewed Sandhya Suri’s SANTOSH. bostonhassle.com/review-santo...

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At Reeling Reviews, @laurareeling.bsky.social didn’t much care for the AI-enhanced biopic PUTIN.

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In Between Drafts counted down their 15 favorite movies of 2024, with contributions from BSFC members @vincensg.bsky.social and @allysonaj.bsky.social!

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At @cambridgeday.bsky.social, @theoscargoff.bsky.social reviewed the epic THE BRUTALIST, which opens on 70mm this weekend at the Coolidge and the Somerville.

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At @throffical.bsky.social, Robyn Bahr looked at how women are reclaiming their sexuality this Oscar season.

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At Reeling Reviews, @laurareeling.bsky.social called SOUNDTRACK TO A COUP D’ETAT “one of 2024's very best documentaries.” Catch it this weekend at @brattletheatre.bsky.social!

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At Joyce’s Choices, Joyce Kulhawik praises the performances and impact of the Bob Dylan biopic A COMPLETE UNKNOWN.

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For @bostonhassle.bsky.social, @theoscargoff.bsky.social counted down his top ten films of 2024. https://buff.ly/4gThTvt https://buff.ly/4gThTvt%0A

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For @theartsfuse.bsky.social, @pkeough1.bsky.social reviewed the “mind boggling” animated epic FLOW.

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For Boston Movie News, @filmcriticjames7.bsky.social reviewed Jack Huston’s “poetic, fairytale-like” boxing drama THE DAY OF THE FIGHT.

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Thrilled to reveal my top ten films of 2024 at @bostonhassle.bsky.social! Excellent movie year, even though (or perhaps because) Hollywood was in shambles. bostonhassle.com/year-ender-o...

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Here are my first-round picks from today’s @bsfc.bsky.social vote (apart from Best Picture— keep an eye on @bostonhassle.bsky.social for my complete Top Ten soon!)

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The Boston Society of Film Critics (@bsfc.bsky.social) just wrapped up our yearly meeting, where we voted on our 2024 award winners. Here's my report, in which I justify my own choices, and ruminate on the results: between-art-and-life.ghost.io/dispatches-f...

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Our complete list of winners is now live on our website! Thanks to everyone who followed along— we’ll see you at the movies! 🍿

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BEST NON-ENGLISH LANGUAGE FILM: DO NOT EXPECT TOO MUCH FROM THE END OF THE WORLD

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BEST PICTURE ANORA

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BEST DIRECTOR Sean Baker, ANORA

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BEST ENSEMBLE SING SING

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BEST ACTOR Timothée Chalamet, A COMPLETE UNKNOWN

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BEST ACTRESS Mikey Madison, ANORA

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BEST SUPPORTING ACTOR Edward Norton, A COMPLETE UNKNOWN

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BEST SUPPORTING ACTRESS Danielle Deadwyler, THE PIANO LESSON

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BEST ADAPTED SCREENPLAY NICKEL BOYS (RaMell Ross and Joslyn Barnes, based on the book by Colson Whitehead)

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BEST ORIGINAL SCREENPLAY ANORA (Sean Baker)

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BEST NEW FILMMAKER Annie Baker, JANET PLANET

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BEST DOCUMENTARY NO OTHER LAND

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BEST ANIMATED FILM FLOW

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BEST CINEMATOGRAPHY THE BRUTALIST (Lol Crawley)

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BEST EDITING CHALLENGERS (Marco Costa)

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BEST SCORE: THE BRUTALIST (Daniel Blumberg)

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The Boston Society of Film Critics has convened on this Saturday dusted with snow to pick the best movies and performances of 2024. @theoscargoff.bsky.social will be posting results at @bsfc.bsky.social, but I'll be doing my own announcing as the day proceeds. Stay tuned.

submitted 81 days ago • 1 comment

The members of the Boston Society of Film Critics are limbering up for today’s big vote! Follow along here all day as we announce our winners!

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I’ve got the @bsfc.bsky.social Awards Day fever Hope you’ve got it too Pour me some bubbly, now it’s All you gotta do It’s Christmas for Boston The BSFC Awards Pop up some popcorn Welcome aboard Who’s gonna win Who’s gonna lose it I’ve got the BSFC Awards Day Fever Hope you’ve got it too

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As we approach critics’ voting season, remembering last year’s @bsfc.bsky.social meeting when I got roasted on Awards Reddit.

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At Joyce’s Choices, Joyce Kulhawik has deemed WICKED “wicked good!”

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At Sarah G. Vincent Views, @vincenssg.bsky.social enjoyed the “melodramatic ridiculousness” of GLADIATOR II.

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For Boston Movie News, @vincensg.bsky.social reviewed Lucy Lawless’ new documentary NEVER LOOK AWAY.

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Dana Barbuto reviewed WICKED for Boston Movie News, praising the film’s performances despite it being only half the story.

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For Reeling Reviews, @laurareeling.bsky.social gave DAYTIME REVOLUTION a B+. “For one week during February in 1972, TV talk show host Mike Douglas did something bold - he invited John Lennon and Yoko Ono to not only cohost his show, but to set their own agenda for his audience of 40 million viewers”

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For Boston Movie News, @filmcriticjames7.bsky.social calls GLADIATOR II “a good, old-fashioned, sword-and-sandal movie.”

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For @cambridgeday.bsky.social, @theoscargoff.bsky.social rounded up the week’s rep screenings, including PARIS TEXAS, SANS SOLEIL, and CASABLANCA.

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For @bostonhassle.bsky.social, @annahoang.bsky.social reviewed the harrowing BLACK BOX DIARIES. https://buff.ly/3V4hYUC

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For Reeling Reviews, @laurareeling.bsky.social gave WICKED an A-. “Erivo [is] soulful, her Elphaba past caring what other people think, Grande's obnoxious self absorption tempered with a genuine desire to be helpful, one the actress paints with Glinda's need for admiration.”

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For @cambridgeday.bsky.social, Tom Meek gave GLADIATOR II 2.5 stars: “It’s not on par with its 2000 predecessor, but the script by David Scarpa… does connect the dots smartly with blood and purpose.”

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At @CambridgeDay.bsky.social, @TheOscarGoff.bsky.social drummed up the 90s

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At Reeling Reiews, Laura Clifford gave A Real Pain an A- "Eisenberg's film cuts both ways, as an often very funny comedy as well as a gut punch of self realization and the attendant (and ironic) self absorption which blinds us to the pain of others."

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Last week at @CambridgeDay.bsky.social, Tom Meek reviewed Memoir of a Snail and A Real Pain

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