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feuilladist.bsky.social
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Rereading this in preparation for a lecture on Summer Interlude next week - there are maybe four or five others essays as influential on how I think about film as this one

I love this photo of Bergman and Rossellini

New collection: Work in Progress / The Films of Johan van der Keuken This collection gathers all English-language texts on Sabzian on the work of JvdK, along with a complete multilingual annotated filmography (62 films!).

John Grierson on The Sea Gull, produced (and later destroyed) by Chaplin

Revisiting a classic today, ahead of rewatches of The Blue Angel and The Devil is a Woman

Decided to ramble about Kitano open.substack.com/pub/nnmore/p...

Twelve filmmakers I love that could be better known Idrissa Ouedraogo Yoshida Yoshishige Borhane Alaouie Rogério Sganzerla Henry King Marie-Claude Treilhou Raffaello Matarazzo Stavros Tornes Jean Durand Yevgeni Bauer John Abraham Kamran Shirdel

Humbling to write about the great António Reis and Margarida Cordeiro for @screenslate.bsky.social , in support of the retrospective by @theaterofmatters.bsky.social www.screenslate.com/articles/ant...

Cissé is a real giant of cinema. Yeelen gets the most attention, but The Wind and The Young Girl are equal masterpieces

My partner wrote this piece on a late period Mastroianni for @screenslate.bsky.social www.screenslate.com/articles/dar...

I never knew Paulo Rocha worked as an assistant to Renoir

In addition to his role in Glauber Rocha's The Lion Has Seven Heads, Jean-Pierre Léaud also played in Carlos Diegues' film Os Herdeiros (1969) - RIP to an important Cinema Novo figure

he really went off with this one

Dozens have remade Vertigo and Rear Window, Guiraudie remade The Trouble With Harry, but who will have the courage today to remake Hitchcock's Rich and Strange

Jerry Lewis and his son performing The Beatles song Help! in 1965 youtu.be/eLk3bbdjYMw?...

Jorge Sanjinés, Walter Achugar y Raymundo Gleyzer, en el festival de Mérida, 1968. brecha.com.uy/una-leyenda-...

The Big Mouth (Jerry Lewis, 1967) will be playing in 35mm at BAM on Mar 4, so the programmers asked Chris Fujiwara and me to discuss it, which you can read here: theaterofthematters.com/texts/the-bi...

Nothing more sour than "I told you so" liberals about Trump's call to ethnically cleanse Gaza. Under which president was it reduced to rubble? Which president lent the bombs that leveled hospital after hospital? Under whom did we learn phrases like "flour massacre"? Iron hand, meet velvet glove

JAIME, THE UNEXPECTED IN PORTUGUESE CINEMA: António Reis interviewed by João César Monteiro (1974) This astonishing conversation appears here for the first time in English, incl. JCM’s introductory text. theaterofthematters.com/texts/jaime-...

« (le point commun qu’on a voulu voir entre l’œuvre d’Ozu et les Straubfilms, il est là). » — Jean-Claude Biette sur Le Goût du saké, Cahiers du cinéma n° 296, janvier 1979.

David Lynch's first film memory being Henry King's Wait Til The Sun Shines, Nellie is a genuinely astonishing and revealing fact

David Schwartz on a real sleeper in this year's @MoMAFilm preservation festival, the unclassifiable ROSAURA AT 10 O'CLOCK. Mario Soffici’s 1958 film begins as a folksy comedy and ends on the far side of noir. 6:30 Mon/4:30 Fri. www.screenslate.com/articles/ros...

Some of Chaplin's reading material, from a 1918 profile

Ozu, Naruse, Hawks, Hitchcock, Lubitsch, Jean Vigo, Edgar G. Ulmer … Kristin Thompson’s ten best films of 1934 — www.davidbordwell.net/blog/2025/01...

If I had Elon Musk money the first thing I would do is buy the rights to Countess From Hong Kong from Universal and give it back to the Chaplin family

I can't believe Meredith Wilson, the composer behind The Music Man, did the score for The Great Dictator