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justonemusicfan.bsky.social
I’m here is to share a countdown of my top 100 albums of the 21st century so far, inspired by a list Rolling Stone did earlier this year. This is entirely my opinion. Meant for fun only. Click on “Media” from my profile for easier view of ranking.
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“There’s Nothing Holding Me Back” is the one that clinched me into being a Shawn Mendes fan. The deep cuts on “Illuminate, #43, like “Lights On” and “Patience” and “Understand” prove he’s talented. I continue to like this album more as I keep listening.

This is only the second of two I got at midnight on a release Tuesday. There's a re-recording of "A Lifetime." There's "Our Last Night." There's "Burned" as a great opening track. Better Than Ezra gets #44 with "Before The Robots."

Discovered Eric Hutchinson opening for OneRepublic at 9:30 Club in 2007. “Sounds Like This” has stood the test of time and is #45. “Rock & Roll” and “Back to Where I Was” are the standouts!

Ryanhood was recommended to me as a Carbon Leaf fan. I am bummed I didn’t discover them in their days playing in Boston subway stations. “Forward” is the best album, led by “Army” but filled with other greats. And it’s #46.

I enjoyed “Over My Head” from the start and bought The Fray’s “How to Save a Life,” #47, pretty quickly. Many wins. I remember seeing a free show and being bummed when “all at once, the crowd begins to sing” didn’t materialize, but that was before it was a single.

I enjoyed “Over My Head” from the start and bought The Fray’s “How to Save a Life,” #47, pretty quickly. Many wins. I remember seeing a free show and being bummed when “all at once, the crowd begins to sing” didn’t materialize, but that was before it was a single.

Another sophomore album. This one I was buying before I heard anything. I was fortunate enough to catch the "release party" show in Milwaukee for Vinyl Theatre's "Origami," #48. I was all the more eager after hearing things like "The Island" and "New Machines," both of which stood the test of time.

The album cycle of The Killers' debut had waned, and after a little while, I was drawn right back in when "When You Were Young" hit radio. "Read My Mind" blew that away. Deep cuts like "This River Is Wild" help make "Sam's Town, "#49, a win. Plus, what other album has an exitlude? 😁

A roommate had the CD at #50 in the summer of 2000, and that was my real introduction to Incubus. “Drive” was my favorite from the start, and it became my #1 song of 2001. “The Warmth” and “I Miss You” really stand out too. “Make Yourself.”

Before breaking into the top 50, I’ll do another extra. Thought about this a bit and reviewed various lists. Artists who’ve done some significantly good stuff, but I can’t get on CD (or even vinyl), hence ineligible. Two: The Lunar Year (The Lunars now, apparently) and AJ Mitchell.

As before, here is a recap at the end of the second quarter…. (And I’m aiming to slow this down when I get closer to the top, but wanted to get the first half out quickly.)

It's felt obligatory to play "The Boxer" and "Mary Mac" every St. Patrick's Day. "On Any Given Day" is awesome. The moment you know "Desperation Song" is starting is always a cool concert feeling. I could go on. Carbon Leaf's "Echo Echo" is a win - and it's #51.

Lifehouse's "No Name Face" was a win that essentially launched their career. Sure, "Hanging By A Moment." "Sick Cycle Carousel" is better. And even better than that are the empowering deep cuts "Simon" and "Quasimodo." Great album. #52

I should've figured out what the "manifest a ceiling" bit in the chorus to "Shy Away" was about four years ago, given it was my #1 song of the year, but finally did search for it. There's much greatness on Twenty One Pilots' "Scaled and Icy," #53.

I'd liked "Cardiac Arrest" in 2014. Years later, I thought to myself, "wonder if Bad Suns have done anything since?" Ended up buying the back catalog & the then-upcoming album. The first 2 tracks to kick off the B-side are the highlight of "Language & Perspective" but there's not a weak moment. #54.

Widely regarded as great: The Postal Service’s “Give Up.” There’s something to be said for having just one album & not trying to do a second. Some songs are best experienced via headphones; the bouncing from ear to ear effect at the start makes “Such Great Heights” the best example. #55

I distinctly remember New Found Glory’s “Catalyst” coming out at the same time I was starting a graduate program and exploring a new city. As such, parts, especially “All Downhill From Here,” are tied to certain spots in my mind. It’s #56.

As I noted back at #92, the first three OAR albums kinda blur together for me, but if I had to pick one as the best, “Souls Aflame” - at #57 - would win, perhaps on the basis of the cool feeling of “So Moved On.” It’s a shame they couldn’t get the rights to include “Earthward” on the official CD.

Coincidentally, here at #58 is another artist I discovered as an opener (for the band at #57, also coincidentally - did not plan that). "Words Meet Heartbeats" and "All That I Am" are the biggest wins on Parachute's "Losing Sleep." The seagulls on the disc itself are a nice bonus.

This entry is from the first of 5 artists on the list I discovered because they were an opening act for someone else. In the case of Jon McLaughlin, I saw him open for Carbon Leaf twice (different tours). "Forever If Ever" proved worth buying, and it's #59. The closer, "These Crazy Times," is great.