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loreningrid.bsky.social
Mostly books and theater.
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This play is much trickier than it looks, and also is aimed squarely at the heart of all of us women who grew up in the seventies with complicated relationships with our moms. exeuntnyc.com/reviews/revi...

A one-woman show was an odd fit for an artist who generally doesn't do so well by his women characters. exeuntnyc.com/reviews/revi...

I liked the witchiness more than the love story. exeuntnyc.com/reviews/revi...

It was hard to watch this play while feeling that our country won’t survive long enough for Americans to suffer from the Singularity. exeuntnyc.com/reviews/revi...

Actors acting as actors learning about acting. The permutations are dizzying. exeuntnyc.com/reviews/revi...

Forgot to post this earlier. A KNOCK ON THE ROOF is harrowing in its ordinariness. exeuntnyc.com/reviews/revi...

I am always happy when there are puppets. exeuntnyc.com/reviews/revi...

I am far from an expert on opera, but I really enjoyed this. exeuntnyc.com/reviews/revi...

My week in theater featured two dysfunctional family holiday gatherings, but RACECAR RACECAR RACECAR did something much more interesting with that. exeuntnyc.com/reviews/revi...

A very grim musical. exeuntnyc.com/reviews/revi...

A little bit terrifying. Maybe a lot terrifying. But also funny and smart and comforting. exeuntnyc.com/reviews/revi...

I wanted to like this more than I did--Marisa Tomei! The riot girl music of my youth! Gen X once again stuck in the middle... And still. exeuntnyc.com/reviews/revi...

And on another note entirely: exeuntnyc.com/reviews/revi... @exeuntnyc.bsky.social

I have such respect for the way JACK combines its producing and its activism, and their current festival is no exception. exeuntnyc.com/features/fea... @exeuntnyc.bsky.social

And away we go: exeuntnyc.com/reviews/revi...