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normyip.com
Painter, photographer and publisher while being a full-time caregiver in the Canadian prairies. Living one day at a time. https://taplink.cc/normyip
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Elysium, No. 5, 2025 Acrylic on canvas 127 x 92 cm Departing from the deep blue hues of its predecessors, Elysium, No. 5 embraces a warm backdrop, where floating orange-red and purple flowers ascend effortlessly across the landscape, with exception to one white flower. #art #contemporaryart

Lemuria, No. 9, 2018 Acrylic on canvas 140H x 140W cm This painting was displayed in my studio in Hong Kong, utilizing vertical brushstrokes to convey waterfalls and circular motions to represent forests -- all the while remaining abstract. This artwork has since been sold. #art #contemporaryart

Elysium, No. 3, 2025 Acrylic on canvas 91 x 61 cm A smaller painting from my Elysium series, where floating flowers ascend into the night sky, utilizing drips and impressionistic brushstrokes to create this piece. #art #contemporaryart #acrylicpainting

Cornucopia in Victoria Park, 2017 Acrylic on canvas 96 x 157 cm This particular painting is a favourite, taking inspiration from Cubism. It balanced itself between figurative and abstraction. As one would have it, it was sold to an unknown buyer through Saatchiart. #art #contemporaryart #abstractart

The Pleasure Factory, 2017 Acrylic on canvas 96 x 152 cm Another painting using male nude figures to create a rather dark arena of sexual desire and wantonness. I cannot recall what I was going through in my mind, but there it is. #art #contemporaryart #contemporaryart #desire

Garden of Earthly Delights, 2017 Acrylic on canvas 96 x 152 cm For a brief period, I explored incorporating nude figures into my work. This piece combines gestural brushstrokes and light colour washes, interwoven with flowering plants for added depth and interest. #art #contemporaryart

Lemuria, No. 5, 2018 Acrylic on canvas 100H x 100W cm Another painting from the Lemuria series. Quite chaotic I must say, especially when compared to Lemuria, No. 6, which I posted earlier and succeeded this one. #art #abstractart #contemporaryart

Lemuria, No. 8, 2018 Acrylic on canvas 100H x 100W cm There were many stages where I felt it could have been a complete painting. I even took photos. They were accomplished on its own, but I decided to let it go and continue. #art #contemporaryart #abstractart

Elysium, No. 2, 2024 Acrylic on canvas 122 x 122 cm Floating, cloud-like apparitions—ethereal forms that also resemble blooming balloons. Mysterious and ominous, this piece introduces the newly discovered electrical phenomena known as sprites... #contemporaryart #artist #postimpressionism #sprites

Lemuria, No, 3, 2018 Acrylic on canvas 122H x 122W cm "I am experiencing both darkness and light in my life right now, with perhaps more fear of the unknown. There is both chaos and structure in my works, never wanting to appear contrived." #art #contemporaryart #chaos

Lemuria, No. 2, 2018 Acrylic and pastel on canvas 152H x 96W cm I struggled with this painting, taking nearly 2 months to complete. It is really strange how some paintings just won't come together, and when you least expect it, something just clicks. #art #contemporaryart #abstractart

Lemuria, 2018 Acrylic and pastel on canvas 152H x 96W cm The Lemuria series was my acceptance of the landscape, following the Visitation series. Bold and wild brushstroke dominate the canvas in virgorous colours. #art #contemporaryart #abstractlandscape

Lust, 2013 Mixed media on canvas 100 x 100cm Lust is the one of seven deadly sins, which is represented by the cow, for being a shameless animal. On the upper right and lower left of the painting, are the Chinese words 欲望, the verb form of ‘lust’. #art #contemporaryart #symbolism

Gluttony, 2013 Mixed-media on wood 70 x70 cm Gluttony, as represented in the animal form of a pig. The pig is large, robust and wanton. The orange and yellow are auspicious Chinese colors that compliment the desire for a better, richer life. #art #contemporaryart #symbolism

Greed, 2013 Mixed-media on wood 70 x 70cm From the Seven Sacred Sins series, Greed is symbolised by the hyena. On the upper left, amidst what seem like red balloons, orchids symbolise both greed and opulence, completing the narrative of insatiable desire. #art #contemporaryart #symbolism

Anger: I love you; I hate you. 2013 Mixed media on wood 60 x 60cm From my series 'The Seven Sacred Sins' where anger represented by a bear, symbolizing the unconscious emotion of raw energy, necessary at time for survival. #art #contemporaryart #symbolism. More at www.normyip.com/seven-sacred....

Germination, No. 3, 2015 Acrylic on canvas 125 x 200cm From the Vibratory Field--a field of muted coloured waves sweep across the canvas cascading from upper left to the lower right. #art #contemporaryart #abstractart

Germination, No. 2, 2015 Acrylic on canvas 140 x 210cm "Germination, No. 2 is a continuation of my work along the thought processes of ‘The Vibratory Field’ ideas, where the landscape of particle energies are depicted in waves of colours." #art #contemporaryart #abstractart

Welcoming the new lunar year--The Year of the Snake Music: Icarus by Tony Ann

Ecstasy, No. 1, 2015 Acrylic on canvas 200 x 125 cm This painting attempts to follow a gradation from dark to light, where the specks and flickers of paint dance like energy particles throughout the painting. #art #contemporaryart #abstractart

Rapture, No. 3, 2015 Acrylic on canvas 200 x 125 cm Similar to Rapture, No. 4, this painting currently resides in mckaywilliamson.com where it is available for viewing by appointment. William has a wealth of knowledge on art and culture. #art #contemporaryart #abstractart

Rapture, No. 4, 2015 Acrylic on canvas 200 x 125 cm After completing Rapture, I decided to scale up the painting to 2 meters in height. It's really different to work at a larger size that is taller than the normal human body, painted almost 10 years ago. #art #contemporaryart #abstractart

Rapture, 2015 Acrylic on canvas 125 x 125 cm Having just completed 'The Meadow', I just allowed the paint to form and morph into what it was to become, akin to automatic drawing. Thus, 'Rapture' was born. #art #contemporaryart #abstractart

The Meadow, 2015 Acrylic on canvas 125 x 125 cm This painting entitled The Meadow was one of liberation, freedom on constaints, and to simply "let go" in front of the canvas. It was kind, sincere suggestion from a curious art salesman type character that I was unsure about. #art #contemporaryart

The test copy of FLUXE 01 arrived from the printer... an exciting feeling to flip through the pages. The final printing is complete, and I'm awaiting shipment. Pre-order via my website at ArtOrijin.com under Publications. Discount code: FLUXE10 for 10% off. #zines

Visitation, No. 8, 2018 Acrylic on canvas 100 x 100cm "Having discovered a new-found direction in my paintings, I began to release the energy into several canvases with more fervour than previously, integrating foreground bursts of swirls against a backdrop of deep forest-green hues." #abstractart

Visitation, No. 3, 2018 Acrylic on canvas 120 x 180cm I really struggled with this one--trying to capture an inkling of Cy Twombly spirit into the canvas with the downward drips. I admit I was very impatient with myself; I really should have slowed down. #art #contemporaryart #abstractart

Visitation, No. 2, 2018 Acrylic on canvas 180 x 120cm One of my larger works I have painted, and indeed, one of my favourites. It captures the spirit and essence of an enchanted landscape. It was sold by Saatchiart after their displaying at The Other Art Fair. #art #contemporaryart #abstractart

Visitation, No. 5, 2017 Acrylic on canvas 100 x 100cm Another painting in the series using vigorous broad brushstrokes that was shown at The Other Art Fair the following year. #art #contemporaryart #abstractart

Visitation, No. 7, 2018 Acrylic on canvas 100 x 100cm The inspiration for this painting was from a devastating tragedy that took place near where I grew up in Canada while I was still working in Hong Kong. #art #contemporaryart #abstractart #abstractexpressionism

Le tourbillon de la vie, No. 1 2017 Mixed-media on canvas 140 x 140cm After an unsettling dog bite that rendered me bitter and resentful, I returned to the canvas with intense vigour. Using large brushworks, this was the first painting I created. #art #contemporaryart #abstractart

Visitation, No. 1, 2017 Acrylic on canvas 153 x 96cm Also known as Le tourbillon de la vie, No. 4, is a transitional painting. Previously, I was interested in the flat 2D abstraction. By introducing foreground and background, I was merging landscape elements. #art #contemporaryart