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sally-barnden.bsky.social
Early modern drama enthusiast. Lecturer in Literature and Visual Culture at Swansea University. Aspiring climber and successful cat person.
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read, weep and - especially if you're a parent of students - protest voice.cymru/two-weeks-in...

Oh yes, Homer’s famous “Tes Thdpssssps.” 👍🏻

Panopto's automatic captions are v insistent that The White Devil is about 'the Duke of Bracknell'

Taylor and Francis ebooks treating page numbers as if they're some kind of state secret 😭

we are having several of these fights at the moment under the administrative euphemism “curriculum transformation” and it’s exhausting

just finished marking (again) and now battling an urge to reply to an email from my boss's boss with a stern explanation about sentence fragments

Finished marking 🥳 Had some stunning MA essays this term—I’m so glad I decided to teach ‘Hero and Leander’

the only way an AI personal tutor would be of any use is if the students themselves were all AI. which may, now that I think about it, be the endgame

So this is very exciting! We have 16 places on our AHRC-funded Print Matters Summer School. There is no course fee, and applicants get 4 nights B&B accommodation and a travel bursary of up to £100. The Summer School is open to all disciplines and career stages. www.thinicepress.org/events/print...

This collection is now available for pre-order at the relatively affordable price of £30! Featuring chapters by 22 brilliant scholars and curators (and one by me) global.oup.com/academic/pro...

Don’t laugh: teaching Henry IV plays, do you give a content note about the fat-shaming? Earnest question and I can imagine some may appreciate being forewarned about it (though I appreciate this makes me sound like a parody liberal English lecturer)

It's also destroying the creative industry, not because it will outdo creatives but because it will be used by aforementioned horrid people as leverage to undermine writers/artists at every level, and the more you use it the more leverage you're giving them!

Without downloading any new pics, what’s your energy going into 2025?

Time to get out the festive Thomas Middleton which is my favourite ever gift from a student

I don't see many long threads on here, but I'll try one - it's about Holbein's Ambassadors, his 1533 masterpiece in the National Gallery. It's often presented as a great mystery, but I think once we understand the circumstances in which it was made, its meaning becomes clearer. 1/

Another day, another dystopian punch in the face from the British government

I have been thinking about this a lot lately: that the “phasing out” of humanities scholarship as part of popular education is an effort to prevent people from being able to interpret their political reality.

Brush up your Shakespeare! Read along with our monthly webinar or just drop in to hear the conversation: english.web.ox.ac.uk/english-facu... Please repost!

Well this is grim

my MA students have been a delight this term—today we talked about “The Blazing World”, the North Pole, sexy souls and justice for the parrot/jackdaw/magpie men

disappointing that when ‘Natasha, Pierre, and the Great Comet of 1812’ finally gets a UK premiere it’s in a theatre whose small size and elaborate system of priority tickets for wealthy donors make it almost completely inaccessible to the general public

there are a lot of online texts of 'Utopia' claiming to be Robinson (1556) that are really Burnet (1684), and in the annoying process of trying to sort out extracts for teaching I note that Hythloday goes from having 'a black sun-burned face' (1556) to being 'tanned' (1684).

had a great time talking about analogue photography with the visual culture first years—we discussed Bayard’s self-portrait as a drowned man and Man Ray’s variations on the Inconnue de la Seine. But I have promised them that next week’s class will be more Christmassy and involve fewer morgues

Just received the proofs for this exciting collection - we worked with a wonderful group of contributors for this and I can't wait to see it out in the world

Hard to know how to start again out of the ruins of Twitter, but it’s lovely to see so many familiar names here. Hello (again), and here is a picture of my cats