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sallyclarkestudio.bsky.social
Contemporary Visual Artist Australia 🏳️‍🌈 feminist Gundungurra Country https://sallyclarke.art Art, Ideas, Wildlife Habitat 💓 Be Kind Extinguish Greed
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Barnacle Eyes, 2023, acrylic paint on vinyl, 25x25cm #painting #art #womenartists

submitted 1 day ago • 0 comments

Shell Face 1, acrylic paint on vinyl, 25x25cm

submitted 1 day ago • 0 comments

Why do people support dictators? How do dictators come to power? We teamed up with history professor Ruth Ben-Ghiat to answer the internet's burning questions about authoritarianism and fascism.

submitted 3 days ago • 54 comments

The Pale Carrier, 2024, pencil on paper.

submitted 4 days ago • 0 comments

Holes, 2014. One of the most abused forms in history. Exhibited in The Democracy of Drawing, AirSpace Projects, Sydney

submitted 6 days ago • 1 comment

This continues to be my favourite exhibition catalogue, Part Object Part Sculpture, curated by Helen Molesworth in 2006 when she was Chief Curator at Wexner. Being in Australia I never saw the show. Hesse, Fontana, Orozco, Gober, Bourgeois and more. Anyone out there who was lucky enough to see it?

submitted 6 days ago • 0 comments

I’m Not Your Oyster, 2023, acrylic paint on vinyl, 25x25cm. Part of a 2024 exhibition that marked the beginning of the Repatriation Project, that sees the return of a seashell collection to the Cocos (Keeling) Islands. They will ultimately be returned by the Cocos Malay community.

submitted 7 days ago • 0 comments

I had a conversation with @Anand Giridharadas this morning he dubbed "The Stupid Coup" after what I've been calling it. If you would like me to be cheerfully intransigent about the clown-authoritarians, here we go: the.ink/p/the-stupid...

submitted 9 days ago • 19 comments

Phallic Eye: Anticipation. Addressing the male gaze. I’ve finished the visual component of my short video. Next step sound.

submitted 8 days ago • 0 comments

Another favourite is Peter Doig’s Man Dressed as a Bat, 2007, oil on linen, 300 x 300cm. In a similar fashion to Laura Owens’ work below, this painting displays atmospheric, almost hallucinatory qualities

submitted 8 days ago • 0 comments

Laura Owens, Untitled, 2003, acrylic and oil on canvas, 65 x 58inches. I love this painting, it’s so peaceful and full of gentle spirits. Everything is alive and watching in this washy happy communion

submitted 8 days ago • 0 comments

Did I say wildlife habitat? Introducing you to one of our free-ranging creative burrow builders #wombat #wildlifehabitat

submitted 9 days ago • 0 comments

Venus Was Her Name, 2023, acrylic on vinyl, 111x138cm

submitted 10 days ago • 0 comments

When Brenda and I arrived in London direct from Sydney on 30 Sept 2023, the first thing we did was to speed walk to Kristin Hjellegjerde Gallery to catch the last day of Rithika Merchant’s exhibition Terraformation. Such a thrill to see it in the flesh #rithikamerchant #kristinhjellegjerdegallery

submitted 12 days ago • 0 comments

@artcontemporain.bsky.social International Women’s Day 2025. Recent events around the world have taught us that hard fought gains can easily be lost. Keep up the good fight and support your sisters

submitted 14 days ago • 0 comments

nga.gov.au/stories-idea... The Anne Dangar exhibition at the Australian National Gallery was a knockout. Fascinating life and work. Great to see the careers of women artists receiving more attention and her relationship with Grace Crowley acknowledged

submitted 15 days ago • 0 comments

Untitled, 2024, pencil on paper

submitted 18 days ago • 0 comments

Untitled, 2024, pencil on paper

submitted 19 days ago • 0 comments

The Fox, 2024, pencil on paper

submitted 20 days ago • 0 comments

The Pale Carrier, 2023, acrylic paint on vinyl, 138x96cm. Photo: Sally Clarke

submitted 24 days ago • 0 comments

This is the studio I share with my partner Brenda Factor in Mittagong. Designed for us by Ian Factor

submitted 26 days ago • 0 comments

Sally Clarke, Spiral projected onto my biomorphic Periostracum Screen, 2024, at ANCA gallery in Kamberri/Canberra

submitted 53 days ago • 0 comments

Sally Clarke, Big Cow 2, 2014, plasticine on wall, 150 x 150cm. Photo: Lumineers imaging

submitted 53 days ago • 0 comments