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seventydys.bsky.social
the sea is completely written for me https://www.transitbooks.org/books/darker
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60 21stC films Days (Tsai Ming-Liang) Goodbye Dragon Inn ( (Tsai Ming-Liang) About Dry Grasses (Ceylan) Once Upon a Time in Anatolia (Ceylan) Cameraperson (Johnson) Museum Hours (Cohen) Certain Women (Reichardt) Meek’s Cutoff Certain Women (Reichardt) Hard to Be A God (German)

60 21stC films Days (Tsai Ming-Liang) Goodbye Dragon Inn ( (Tsai Ming-Liang) About Dry Grasses (Ceylan) Once Upon a Time in Anatolia (Ceylan) Cameraperson (Johnson) Museum Hours (Cohen) Certain Women (Reichardt) Meek’s Cutoff Certain Women (Reichardt) Hard to Be A God (German)

3 really strong first short story collections from Irish writers pub. this year: Liadan Ní Chuinn, Every One Still Here @stingingfly.bsky.social & @grantabooks.bsky.social Dave Tynan, We Used to Dance Here @grantabooks.bsky.social Shane Tivenan, To Avenge a Dead Glacier @lilliputpress.bsky.social

3 really strong first short story collections from Irish writers pub. this year: Liadan Ní Chuinn, Every One Still Here @stingingfly.bsky.social & @grantabooks.bsky.social Dave Tynan, We Used to Dance Here @grantabooks.bsky.social Shane Tivenan, To Avenge a Dead Glacier @lilliputpress.bsky.social

you can’t follow Devin Johnston, ‘Cold Trail’

The short stories in Dave Tynan’s first collection, ‘We Used to Dance Here’, are strong true painful loving stuff, with a fine line in comedy, in which worlds you might know but don’t find much in fiction are brought to life on the page. Published July @grantabooks.bsky.social.

The short stories in Dave Tynan’s first collection, ‘We Used to Dance Here’, are strong true painful loving stuff, with a fine line in comedy, in which worlds you might know but don’t find much in fiction are brought to life on the page. Published July @grantabooks.bsky.social.

Strangers

Wendy Erskine’s ‘The Benefactors’ is a finely observed novel of consequence and inconsequence, that engages violence, emptiness, love and grief with precision and tenderness. Alive with voices that crowd and flow and braid, that talk to & past each other, that remember & forget. Just published.

Wendy Erskine’s ‘The Benefactors’ is a finely observed novel of consequence and inconsequence, that engages violence, emptiness, love and grief with precision and tenderness. Alive with voices that crowd and flow and braid, that talk to & past each other, that remember & forget. Just published.

discarded sentences Tove Ditlevsen, ‘The Others’, tr Sophia Hersi Smith and Jennifer Russell

‘The Unspoken’, a short story of mine @grantamag.bsky.social granta.com/the-unspoken/

‘The Unspoken’, a short story of mine @grantamag.bsky.social granta.com/the-unspoken/

Long shot but does anyone have a copy of Naomi Mitchison's Vienna Diary and/or We Have Been Warned?

lavender-tinted windows Joe Brainard, from ‘I Remember’. A new edition of which will be published in July @dauntbookspub.bsky.social

My story 'Marrickville Light' online to read at HEAT journal of which Helen Garner wrote: ‘fabulous story. It gave me such a thrill that I had to read it again right away to try and see how the hell he did it - W O W !’ giramondopublishing.com/heat/archive...

My story 'Marrickville Light' online to read at HEAT journal of which Helen Garner wrote: ‘fabulous story. It gave me such a thrill that I had to read it again right away to try and see how the hell he did it - W O W !’ giramondopublishing.com/heat/archive...