Necessary for the story? The characters?
A strange idea this, that there’s some Platonic ideal of the story out there to which the thing-in-itself must bow.
A strange idea this, that there’s some Platonic ideal of the story out there to which the thing-in-itself must bow.
Comments
If plot and character exist at all, they are epiphenomena of the thing-in-itself and can always be reduced to the thing-in-itself.
Neither of those responses is criticism,* but neither is itself blameworthy.
(Tho' turning either into a norm—'Such stuff should be avoided'—without thinking, that's risky.)
I like the way C. L. R. James put it, 'watching critically, i.e. with a conception of all the factors that have contributed to the result'.
Sounds dry, but it gets at something.