greasepaintpeel.bsky.social
Bluesky feed for The Smell of the Greasepaint and the Sound of John Peel. Cornish amateur dramatics and John Peel mixtapes, together at last!
https://greasepaintpeel.blogspot.com/
190 posts
32 followers
26 following
Regular Contributor
Active Commenter
comment in response to
post
It’s all about Bicycle Rider, the whole thing is tied up in that track - a feeling of developing American history in each section - and it feels as though they lost their minds trying - and failing - to recapture the vibe of that track. Only Heroes and Villains, a pure vocal LSD trip, comes close.
comment in response to
post
Is this a Sam Smith pub?
m.youtube.com/watch?v=p-TN...
comment in response to
post
“Well why’s she telling you then?”
comment in response to
post
May just have been the editing, but the Rickman Diaries suggest that he had the whole thing done inside an afternoon.
comment in response to
post
Having recently listened to the audio of The Abominable Snowmen, I make you right on both counts.
comment in response to
post
“Please wait, someone is coming to assist you.” And then we wordlessly turn and stare towards the supervisor, so they can come and help us. It’s made the words, “Excuse me…” redundant at least.
Our effusive thanks for confirming our ID to the machine try to make up for the reduced interaction.
comment in response to
post
You were absolutely right about the way kids feel about watching other kids on television. My main jealousies were against the kids getting to muck about on We Are the Champions.
comment in response to
post
PS - the main reason why I’m so exact with the date - apart from being a nerd - is that I was appearing in a pantomime that week in Perranwell, near Truro, and between the matinee and evening performance, I nipped down to the village phone box to call the ITFC Soccerline to find out the result.
comment in response to
post
Town rescued the point at Portman Road with a stoppage time goal….scored by David Johnson.
comment in response to
post
Yes, it was Jan 17, 1998. Boro had good cause to be peeved with Ipswich that season. In the 1-1 draw at Portman Road, the previous month, James Scowcroft and Craig Harrison were both sent off. Harrison’s offence seemed to be that he didn’t get out of the way of the punch Scowcroft threw at him.
comment in response to
post
Johnson only ever played one match for us at the Riverside, it finished 1-1 and no penalties were awarded. He did get Gianluca Festa sent off in that game for bringing him down when he was through on goal. Johnson also scored Town’s goal in the match, but it was a header, not a penalty.
comment in response to
post
It’s a wonderful film. Throw in The Beguiled as well, and Siegel was on real hot streak between 71-73.
comment in response to
post
The only way that Charley Varrick works with Eastwood in the lead would be the quirkiness of seeing him paired up with Andrew Robinson as his accomplice, two years after they battled it out in Dirty Harry.
comment in response to
post
Huh! Tell that to Gordon Smith.
m.youtube.com/watch?v=9q4S...
comment in response to
post
TV Cream claimed in one of their features on Saturday Kids TV that no would remember TX, and got correspondence about it for the next 6 weeks - including from me.
comment in response to
post
Wild Horsey
Star Stan
comment in response to
post
I saw a 1979 thriller called Delirium last year, as it was recommended by Quentin Tarantino’s Video Archives podcast. The film was OK, but the only thing that’s really stayed with me about it is that several scenes and the closing credits, played out to the accompaniment of the theme to Mastermind.
comment in response to
post
“Can’t complain, mustn’t grumble/Help yourself to another piece of apple crumble.”
comment in response to
post
Agreed. On 10 Years of It’ll Be Alright on the Night there’s a clip of Dennis Nordern slipping on a stair when he is introduced on an episode of Wogan. Terry calls it Nordern’s “first visit here” and at 13 years of age, I genuinely thought he meant it was Nordern’s first ever BBC appearance.
comment in response to
post
Definite “early meetings between Jamie Lee Curtis and John Cleese in A Fish Called Wanda” vibes. Which uptight Englishman are you needing to seduce?
comment in response to
post
“We do what we like and we like what we do-oo-oo-ah
Do-oo-oo-ah
Do-oo-oo-ah
Ahhh.
Ahhh.
Where have all the good guys gone….”
comment in response to
post
He gets away with it, not least because his joy when Aston Villa are doing well is genuine.
comment in response to
post
McAlmont’s only appearance on a John Peel playlist…
greasepaintpeel.blogspot.com/2022/11/equu...
comment in response to
post
My best mate worked with someone whose party piece was their ability to sing the title line of this and nail the impression perfectly. I never witnessed it, but my mate said it was flawless.
comment in response to
post
Wasn’t it that she had the voice, Shaznay had the tunes and the Appleton sisters had the glamour….so they all hated each other.
comment in response to
post
“Marlene said something about that, the other day.”
comment in response to
post
If you haven’t read it, it’s also worth checking out Over the Limit, a follow up memoir framed around his diaries for the period 1993-1998.
comment in response to
post
Were they not done in studio?
comment in response to
post
Restful Saturday morning kids show. Worked surprisingly well in high summer, but would have been a bust had it gone out at any other time of year.
comment in response to
post
Indeed, but everyone is slightly missing the point of the original topic which was use of OB facilities on Who, prior to 1986 at internal locations. Robot, Stones, Seeds of Doom etc didn’t use OB inside building locations. They were in studio.
Talons and Invasion of Time used it in actual buildings.
comment in response to
post
I know but none of it was shot inside any buildings as has happened with Talons of Weng-Chiang or The Invasion of Time.
comment in response to
post
“Rats beat Bats.”
comment in response to
post
I got engaged (though it didn’t last) on this day. Fascinating to see what other people were doing at the time.
comment in response to
post
Heard Prolapse’s track, Serpico, on a Peel Session many years ago and thought the way they transposed Frank Serpico’s ordeal from the NYPD to the Glasgow Police Force was absolutely superb.
“You’re a bloody disgrace!”
comment in response to
post
That’s high praise indeed.
comment in response to
post
Justified for that slide guitar solo though, at least?
comment in response to
post
Well that’s as maybe but I’ve just had to play the bloody thing and it reminded me of the glorious bit where he starts “Sha-la-la-la” ing in a lower register key change.