kallao.bsky.social
Contributing host at World Cafe from NPR. We're really doing this again? Mostly agreeable lad with only one stint in rehab.
instagram.com/kallao
875 posts
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445 following
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The two horsemen of the apocalypse, Kojima and Casty.
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one of my favorite one shot videos. fun fact they did ELEVEN TAKES.
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i just got told the best story about Mo Farrah. hot damn that was a blast.
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I know it's been on for 19 sea...er series, but it's still "The Greatest Thing Ever" stateside.
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lol nope
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woah holy shit
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jello didn’t miss. youtu.be/HVGg_5grOTg?...
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community psychology. his focus was on veterans (he was a longtime VA employee)
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less than10% down for the month! Except when most humans do it, they lose 10 bucks. Hard to even fathom.
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I've been so busy with work I might have just ignored guidance. :/ - but yeah - we're finding out about what's happening in real time with everyone else. It sucks.
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Yeah, World Cafe (the show) is made at WXPN in Philadelphia. World Cafe Live (the venue) is not owned or operated by WXPN.
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You could hit it on song 1, or song 1 million. It's a really semi charmed proposition.
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It worked for timing purposes and amusing me purposes.
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CAN NEVER GET BACK TOGETHER OH MY LORD she knows not what she says.
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all i want is more craggs blogs. he’s so good.
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great now i have brian wilson singing MUSCLE AND HATE in my head
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ok, more like alleviated. In the meantime check this out protectmypublicmedia.org
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100% tracks. the aspirational villainy is appropriately gauche!
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This proposed action won’t just impact NPR and PBS, but will harm hundreds of local tv and radio stations around the country.
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i do a first pass in descript. that alone gives me enough audio info to know if i can make the actual edit in pro tools.
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in all seriousness, it was only a matter of time before they got to us. at some point they’ll get around to you too (if they haven’t already). Head on a swivel, everyone.
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Loved this blog! There were so many little things as you said that really bogged this thing down. Beyond the visual language being a nightmare as you pointed out, the choreography was impossible to follow. You never knew where you were. The anti-speilberg, if you will.
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i love philly. it’s home! but nothing beats New Orleans.