simonsmith.bsky.social
‘I don’t know the sort of people who know the date’
MDANT in Madrid. Pop music mainly.
2,432 posts
1,281 followers
1,178 following
Regular Contributor
Active Commenter
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The Select cassettes and CDs seemed to live up to the broad outlook in a way the magazine sometimes didn’t.
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Yeah, I think the south east of England had enough momentum to produce a scene like shoegaze. But elsewhere, no… Chumbawamba, Manic Street Preachers, etc.
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Haven’t listened to BTTP for years. But they are an example of one of those bands who were a bridge to the world of crustie festival dance music and The Prodigy. I approved of them even if I didn’t really like them.
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Because we all had to go to the same clubs. With the ‘original punks’ hanging out at the bar.
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This. This. This. Totally! And it also embraced the crusty end of tribal house and you could draw lines between, say, The Frank And Walters/James, and, say, Back To The Planet, and, say Weatherall remixes. Then, suddenly, ‘indie’ got narrowed.
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Ditching my plans for tomorrow (update LinkedIn, book van in for servicing, sort out watering system for the balcony) in favour of playing Hades. Again. And blaming you.
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Ok. Rewind. What’s wrong with Love Vigilantes? :)
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Has it not just moved its energy into ‘electing Liberal Democrat councillors on massive swings’? Slumbering. Not dead.
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I really like the ‘I fucked the groom’ one. Which, honestly, just proves your point.
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Not an expert, but I guess the slide guitar thing could be linked to micro-tonal scales, in history.
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In the advert? There was definitely a Tom Waits single released off the back of it. Shameless cashing-in :)
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Also, we need to remember that ‘The Epstein Files’ is nonsense.
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I think that CD single might have been the first Tom Waits I ever bought. Which is why it stuck in my mind. And there was a CD single of Heartattack And Vine (for an advert?) with a brilliant live version of On A Foggy Night.
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Was 16 Shells REALLY not a single?
(Google gap….)
… ah, a live version.
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I’d be very happy to cut things out, glue things and mail things for people.
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It’s got a track called Beautifully Broken on it. Case closed.
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You can imagine a record company desperately trying to persuade Alanis to go with this as an album cover.
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Alanis Morissette.
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Do a fanzine. Letraset. Cut-out type. Spot colour, if you insist. I’d buy it.
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That’s great. Love how it becomes straight-up blues sometimes. Then goes back into the Indian tones.
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And before anyone starts anything. I like the saxophone version.
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I discovered your writing - and bought from you - through Unbound. So for a while it seemed like it was a very useful new model. Disappointing it ended so badly. (Not comparing that to your financial loss, obviously.)
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Hook filled. (And ‘fuck’ filled).
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I think that album is quite treble-y (probably why I liked it) but tracks like You Got It and Here Comes Sickness should still pack some indie-dancefloor bass wallop.
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Yes, I really really enjoyed it. Despite the fact that there was hardly any ‘game’ once you’d figured out all the tropes. Must have fallen into the old guy’s fireplace about 30 times… just for lols.
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Opposite coast to Anderson Island. Of course.
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The timing was right for a Yes boost, with the anniversary publicity and the Ian Wade article. Shame. Should be in the 100.
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The weird thing is that the old newspaper brands are publishing things like this… while also desperately trying to catch up with the podcast format.
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I think that even just having that rule some times means the voters have self-selected as a Kulkarni-friendly group.
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If you want more, this is the one John Peel went for…
youtu.be/hU7JC4CzNBk?...
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‘Vaguely’ :)
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I really like it when people who say vaguely intelligent things about music I like also say vaguely intelligent things about music I don’t particularly like.
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Every time I parked there I had a fleeting vision of accidentally driving over the edge.