I SAW THE TV GLOW hasn't released its grip since I first gazed into its flickering light.
I've vomited up many thoughts and words since, but none encapsulate quite like my first review out of Sundance London in June, for The Geek Show: https://thegeekshow.co.uk/i-saw-the-tv-glow-sundance-london-2024-review/
I've vomited up many thoughts and words since, but none encapsulate quite like my first review out of Sundance London in June, for The Geek Show: https://thegeekshow.co.uk/i-saw-the-tv-glow-sundance-london-2024-review/
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I spoke with writer-director Kohei Igarashi for @screenanarchy.bsky.social as the film took its first steps on the festival circuit in the Autumn: https://screenanarchy.com/2024/10/vancouver-2024-interview-super-happy-forever-director-kohei-igarashi-talks-romantic-memory-and-findi.html
I wrote my dream piece for the BFI, exploring the film influences on SEGA's Like A Dragon videogames: https://www.bfi.org.uk/features/like-dragon-yakuza-influences-amazon
Here's a nice photo of the Campus cohort at Far East Film Festival in Udine:
LIFFF launched in November with our Opening Night Gala for THE KILLER GOLDFISH, with director Yukihiko Tsutsumi, producer Takeshi Moriya, and lead actress Erika Oka in attendance for a Q&A!