Ethel Cain officially in my good graces for following up her smash hit breakthrough debut LP with a dark ambient goth folk nightmare concerned with the way we pathologise and demonise sexuality
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Too many artists "play it safe" after finding immense success from their debut, which then usually results in mediocre second albums, so her going out of her way to make something with significantly less mainstream appeal is such a power move, like she really said "I don't need to prove anything."
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https://daughtersofcainrecords.bandcamp.com/album/perverts