briancentrone.bsky.social
Fashion Historian and Curator specializing in menswear, queer and pop culture, Barbie and Ken, and fashion in pornography. Writer, Editor, Professor. Open for curatorial work, research, writing, and publication opportunities. I also write creatively.
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Lol. I actually figured out who it was. Not sure he meant to share anything with me. Sadly.
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If you have access through CSA or through Routledge - Taylor and Francis, you can acess the full review via the link below:
www.tandfonline.com/doi/full/10....
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“Centrone did an exceptional job in juxtaposing the importance of wealth, extravagance, and materialism of the era with the realities of the period, using section introductions that illuminated how the lived experiences of the wealthy differed greatly from those of the working class.” -Lauren Street
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How fantastic!
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Also need!!!
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I question the use of the word casrole for many of these dishes. In fact, I am pretty sure the delicious looking one in the feature image is actually an aspic. Which, in their own right, are a culinary journey worth exploring.
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Yes. Did you? I don’t know that it was what I was expecting. And it was very long, but it didn’t feel long. I thought the graphics at the open and close were brilliant and the cinematography was beautiful. It was filmed beautifully. I gasped when the library was completed.
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I went a saw the Brutalist with my friend and then ate my emotions.
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Not surprising.
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They probably dye mayched the invisible mount.
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You’re very welcome. There’s a bit of Jack in me too, I reckon. Oddly enough, I have the same green hood Nate’s wearing on the cover. Exact same color. Lol.
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How you doin’?
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It was really healing in many ways. ‘Triggering’ in some. A real emotional rollercoaster for me. I saw so much of myself in Nate. And so many of the boys’ feelings and emotions of heartbreak and rejection have recently been my own. Thank you for helping me heal. 💜
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Love how you always find your light. 💜