danielsturgis.bsky.social - Profile | ThreadSky | a Reddit-style client for Bluesky

Vollmond - & water, rain, rocks & Pina Bausch & Sadlers Wells

submitted 9 days ago • 0 comments

Daniel Buren from 1965 to 1966

submitted 30 days ago • 1 comment

Amazing exhibition of Dom Sylvester Houédard and Futurist & Concrete Poetry at the Estorick Collection

submitted 33 days ago • 0 comments

Call for 10 minute presentations for the online symposium The Curatorial + Painting - about how contemporary paintings relate to the way they are curated. Organised by the Journal of Contemporary Painting. Deadline for Open Call 3rd Feb

submitted 36 days ago • 0 comments

Talking soon about Supports/Surfaces, material subversion & trans Mediterranean dialogues in Luxembourg…

submitted 43 days ago • 0 comments

You see the printed black square from a page in Robert Fludd's "Utriusque cosmi maioris" (1617) that represented the nothingness that was prior to the universe. The square is framed by four sentences in Latin: "Et sic in infinitum" (And so on to infinity). #earlymodern #skystorians

submitted 310 days ago • 12 comments

A big screening of De Sica’s wonderful Miracle in Milan at the Italian Cultural Institute

submitted 46 days ago • 0 comments

submitted 48 days ago • 0 comments

submitted 67 days ago • 0 comments

twocoatsofpaint.com/2024/12/gary...

submitted 68 days ago • 0 comments

Francis Alÿs, '1943,' 2012, first shown at Documenta 13 in Kassel, Germany.

submitted 71 days ago • 0 comments

From the the British Library exhibition “Medieval Women in their own Words”

submitted 78 days ago • 0 comments

Open Call for Bothy Project Creative Residencies on Eigg. For practitioners in visual art, craft & design, music, literature, performance & those working across disciplines or in collaboration. Application deadline: 12 January 2025, midnight. More info at buff.ly/4fZxM2M

submitted 82 days ago • 3 comments

Morton Feldman and a live version of Beckett’s Quad on the South Bank last night - wonderful in so many ways

submitted 87 days ago • 1 comment

So helpful when an artist states on the back of a work the height that a painting should be hung at - which is of course the height it was hung when it was painted in the studio - Carmengloria Morales exhibition opening tomorrow at the British School in Rome

submitted 98 days ago • 0 comments

Going down the rabbit hole thinking about the role of abstract painting in Zurich Dada at Stiftung Arp archives in Berlin.

submitted 104 days ago • 0 comments

Beacon (without words I found myself home on your stomping ground) 2022 - by the artist Sharp - 15 pairs of cherry red Dr. Marten boots on rope

submitted 115 days ago • 0 comments

Sylvie Fleury, Garbage Can, 2003, 24-karat gold leaf on steel, edition of 25

submitted 117 days ago • 0 comments

Call for papers for the next themed Special Issue if the Journal of Contemporary Painting - ‘The Curatorial and Painting’ ….

submitted 153 days ago • 0 comments

Call for papers for the next themed Special Issue if the Journal of Contemporary Painting - ‘The Curatorial and Painting’ ….

submitted 153 days ago • 0 comments

Sherrie Levine, Large Check: 2, 1987 https://botfrens.com/collections/14377/contents/1136971

submitted 163 days ago • 0 comments

Obviously a drawing of a person is not a real person, but a drawing of a line is a real line. Happy Birthday Sol LeWitt, 1928-2007. Photograph by Jack Robinson Sol LeWitt, New York August 1969 Wall Drawing #370, 1982

Vollmond - & water, rain, rocks & Pina Bausch & Sadlers Wells

Daniel Buren from 1965 to 1966

Amazing exhibition of Dom Sylvester Houédard and Futurist & Concrete Poetry at the Estorick Collection

Call for 10 minute presentations for the online symposium The Curatorial + Painting - about how contemporary paintings relate to the way they are curated. Organised by the Journal of Contemporary Painting. Deadline for Open Call 3rd Feb

Talking soon about Supports/Surfaces, material subversion & trans Mediterranean dialogues in Luxembourg…

You see the printed black square from a page in Robert Fludd's "Utriusque cosmi maioris" (1617) that represented the nothingness that was prior to the universe. The square is framed by four sentences in Latin: "Et sic in infinitum" (And so on to infinity). #earlymodern #skystorians

A big screening of De Sica’s wonderful Miracle in Milan at the Italian Cultural Institute

twocoatsofpaint.com/2024/12/gary...

Francis Alÿs, '1943,' 2012, first shown at Documenta 13 in Kassel, Germany.

From the the British Library exhibition “Medieval Women in their own Words”

Open Call for Bothy Project Creative Residencies on Eigg. For practitioners in visual art, craft & design, music, literature, performance & those working across disciplines or in collaboration. Application deadline: 12 January 2025, midnight. More info at buff.ly/4fZxM2M

Morton Feldman and a live version of Beckett’s Quad on the South Bank last night - wonderful in so many ways

So helpful when an artist states on the back of a work the height that a painting should be hung at - which is of course the height it was hung when it was painted in the studio - Carmengloria Morales exhibition opening tomorrow at the British School in Rome

Going down the rabbit hole thinking about the role of abstract painting in Zurich Dada at Stiftung Arp archives in Berlin.

Beacon (without words I found myself home on your stomping ground) 2022 - by the artist Sharp - 15 pairs of cherry red Dr. Marten boots on rope

Sylvie Fleury, Garbage Can, 2003, 24-karat gold leaf on steel, edition of 25

Call for papers for the next themed Special Issue if the Journal of Contemporary Painting - ‘The Curatorial and Painting’ ….

Call for papers for the next themed Special Issue if the Journal of Contemporary Painting - ‘The Curatorial and Painting’ ….

Sherrie Levine, Large Check: 2, 1987 https://botfrens.com/collections/14377/contents/1136971

Obviously a drawing of a person is not a real person, but a drawing of a line is a real line. Happy Birthday Sol LeWitt, 1928-2007. Photograph by Jack Robinson Sol LeWitt, New York August 1969 Wall Drawing #370, 1982

Enzo Mari - ends tomorrow - wonderful

Piazza d’Italia in the rain. Charles Moore, New Orleans, 1978.

visiting the city of bookshelves in Charles Jenks’s library…