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exeuntnyc.bsky.social
exeuntnyc.com
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A memory play that is more complicated than it appears: @loreningrid.bsky.social reviews LIBERATION. exeuntnyc.com/reviews/revi...

SAFE HOUSE makes a better concept album than one-woman play. @loreningrid.bsky.social reviews. exeuntnyc.com/reviews/revi...

@mildlybitter.bsky.social finds REDWOOD full of treesplaining. exeuntnyc.com/reviews/revi...

For @mildlybitter.bsky.social , MY MAN KONO doesn’t build a compelling play out of compelling history. exeuntnyc.com/reviews/revi...

A love story paired with some dark magic. @loreningrid.bsky.social reviews. exeuntnyc.com/reviews/revi...

Intellectually fascinating. Philosophically terrifying. @loreningrid.bsky.social reviews THE ANTIQUITIES. exeuntnyc.com/reviews/revi...

A backstage drama full of strong performances. @loreningrid.bsky.social reviews NINA. exeuntnyc.com/reviews/revi...

The draining horror of life under siege. @loreningrid.bsky.social reviews A KNOCK ON THE ROOF. exeuntnyc.com/reviews/revi...

@loreningrid.bsky.social enjoyed the artistry of DEAD AS A DODO. exeuntnyc.com/reviews/revi...

@loreningrid.bsky.social visits Prototype to see this intriguingly complex opera. exeuntnyc.com/reviews/revi...

A Mama Rose for the ages. Carol Rocamora reviews GYPSY. exeuntnyc.com/reviews/revi...

A Christmas bonanza of family dysfunction. @loreningrid.bsky.social reviews CULT OF LOVE. exeuntnyc.com/reviews/revi...

RACECAR RACECAR RACECAR packs a sneaky punch. @loreningrid.bsky.social reviews. exeuntnyc.com/reviews/revi...

Two lovers escape reality with vivid imaginings in a beautifully acted revival of Philip Ridley’s TENDER NAPALM. @lanewilliamson.bsky.social reviews. exeuntnyc.com/reviews/revi...

Exeunt NYC closes out a packed November with Lorin Wertheimer reviewing THE BLOOD QUILT, where the quilts nearly steal the show. exeuntnyc.com/reviews/revi...

Crack open a cold one and enjoy some country music at this new musical from Bedlam. Patrick J. Maley reviews MUSIC CITY. exeuntnyc.com/reviews/revi...

@loreningrid was not swept away by SWEPT AWAY. exeuntnyc.com/reviews/revi...

WE ARE YOUR ROBOTS is a little bit terrifying, but also smart, funny, and full of good songs. @loreningrid.bsky.social reviews.

@loreningrid.bsky.social wasn't quite convinced by BABE. exeuntnyc.com/reviews/revi...

"The critical conversation around theatre is at risk of going quiet, just when we need it the most" The first issue of Exeunt's brand new substack is out, feat an intro by new editor Holly Williams, and a dialogue on the state of criticism by Natasha Tripney and Alice Saville

This satire on white privilege and toxic masculinity largely misses its mark. @mildlybitter.bsky.social reviews SHIT. MEET. FAN. exeuntnyc.com/reviews/shit...

A new play about the life of Artimesia Gentileschi digs into Renaissance gender politics with mixed results. Lorin Wertheimer reviews THE LIGHT AND THE DARK. exeuntnyc.com/reviews/revi...

Lorin Wertheimer finds concept stronger than execution in MAYBE HAPPY ENDING, a love story between robots. exeuntnyc.com/reviews/revi...

And on another note entirely: exeuntnyc.com/reviews/revi... @exeuntnyc.bsky.social