garr.bsky.social
poet, translator, lit ed
lesbian avenger-at-large, butch dad
đź“ŤAmsterdam, NL
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Anyway, not looking for a fight or for encouragement. Just putting some of this here in case others sometimes feel similarly. Also, editing a lit mag is hard work. Be kind to editors, they’re usually doing it for nothing more than pure love of the form.
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It’s been a few years now and I’m starting to write again, but definitely struggling with the “who cares” part. What in god’s name can I say that hasn’t been said, or said better, or said worse but is now a meme.
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There’s a lot of poetry out there. A lot of it, even the stuff that gets shared and reshared or published in the New Yorker, is not good. I don’t think my own poetry is good half the time. And I haven’t wanted to add to the noise.
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My response to that, aside from trying to publish works that were excellent, was to get very quiet and basically stop writing poetry myself. I don’t necessarily see this as a bad thing.
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Versal was a small, unfunded project, so I read most of what we got, and gradually became overwhelmed by a feeling of a kind of poetic surplus.
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👋🏼
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anyway I'm reading poems tomorrow at Burley Fisher in Dalston (London), 6:30 pm xx
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I mean,
don't cede the evidence of your eyes/ears/nervous system;
don't make a fuss where disdain is deserved;
no need to expend energy on pettiness;
refuse, in as many microscopic ways possible, to use the rules we're being given
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So much here to resonate with. Thank you for putting it in words.
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Same.
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Yessss, look forward to digging into this with you soon over drinks in Paris
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The marketplace ruins translation. As it ruins translators. And world literature. I wish this was more evident. I guess I have to write about it. But I already sort of am.
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Oef. As a Tennessean this stings. Can we not ban together to fight for all of us?
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Also full disclosure I first read “dorm-room” as “dom-com”