jachilli.bsky.social
Founder and Chief Creative Officer at Studio Hermitage | ex-WoD, ex-Ubi, ex-etc. | shoe enjoyer | he/ him
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Craven bootlicking without a shred of integrity.
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Yes, a ton of immediately usable stuff for fifteen bux.
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he didn't choose the cop life, the cop life was foisted upon him
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I remember thinking for one particular passage, "What if I don't know how to do this?" Can't remember the exact line but I'll perhaps look it up.
Also, this isn't a condemnation. I find the game really welcoming and inviting and a welcome break from prep- and systems-heavy games. Time at a premium!
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These are two parts I really like about it. That simple elegance of characters, especially, invites a lot of input on who the character is over their “special moves,” which I appreciate from a Weird Fiction standpoint.
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Make sure you take the Borgo Pass on the way home.
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aindulmedir.bandcamp.com/album/star-l...
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hell yes song to the siren
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As a concept, not necessarily any specific moment, though
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The duet with Boy George is remarkable.
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have they tried doing things that help people or at the very least standing against the republicans' fascist coup
feels like that would be a good start
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Popcore rules ‘98
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ARGH
corepunkgate, truly the scandal of our time
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I am almost certain this is already actually something, only in a different context.
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You stop this. You, personally.
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The drummer from Culture Club was also the drummer for the Damned for a while, which also once included Lemmy. I genuinely love how complex creative arts are, and people’s efforts in them.
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It really is a great pop song, though.
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Penelope Spheeris doing the Decline of Western Civilization trilogy but also Wayne’s World and the Little Rascals, etc.
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Add to this that the evangelists for everything are rarely the users and are most often the value extractors or those who want to get in on the next big thing. For them it's less about the use of the thing and more about profiting with a minimum effort. They're selling memberships or cutting costs.