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michellekisner.bsky.social
Freelancer/critic. Physical media enthusiast and essayist. Member of the Michigan Movie Critics Guild. Contributor: Arrow, Vinegar Syndrome, Error_4444, Severin, Umbrella, Second Sight, BFI, Kino Lorber, 88 Films, Imprint, Terror Vision
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Want to see some incredible films made in the last couple years by actual trans people? Look no further to see what deserved Oscars: 1. The People’s Joker by @veradrew22.bsky.social 2. Kaipocalypse Now by @kaicomedy.com 3. I Saw The TV Glow by Jane Schoenbrun these all have my full vouch. 🏳️‍⚧️💖🏳️‍⚧️

Der Fan (1982) Parasocial relationships before the invention of social media. Obsession eventually evolves into the need for consumption both figuratively and literally.

Scent of a Spell (1984) When women are treated like expendable objects, the dehumanization might lead to destruction. Sometimes love isn’t enough.

Amadeus (Director’s Cut) - 1984 Dir - Milos Forman

Gomorrah (2008) dir: Matteo Garrone

#NowWatching THX 1138

Furious (1984) Traveling in the spiritual void can be dangerous! Wacked out martial arts with an ASMR whispering Buddha statue and…chickens? There’s also a lengthy exposition dump from a talking pig.

The Brother From Another Planet (1984) The immigrant experience through the eyes of a black alien. Joe Morton‘s silent but expressive performance carries the entire film.

seven words every girl wants to hear

Seven Samurai (1954) Seven Samurai is not only about hope, with the strong protecting the weak, it is about those in power gaining empathy for those who need their help.

The plight of the physical media collector who loves all genres.

The latest 3 films in our Directors Company series are now out on bluray & digital! Kiyoshi Kurosawa’s BUMPKIN SOUP ドレミファ娘の血は騒ぐ Toshiharu Ikeda’s MERMAID LEGEND 人魚伝説 and SCENT OF A SPELL 魔性の香り buff.ly/4emJvas

Big kudos to @disc-connected.bsky.social and @michellekisner.bsky.social for an amazing awards show last night! The community is grateful for your hard work and continued love and support for all things #physicalmedia!

Just a reminder that I will be co-hosting the Shelf Shock Rewind Awards live tonight with Ryan Verrill from The Disc-Connected!

Happy Valentine’s Day

Cooley High (1975) “We were friends, a long time ago. Laughin’, rappin’, chasin’ girls, Obeying no law, except the law of caring. Basketball days and high nights, No tomorrows, unable to remember yesterday. We live for today….”

Me watching a cheap B-movie from the ‘80s: “This has better lighting than every single Netflix exclusive”

Eve’s Bayou (1997) “Often father and daughter look down on mother together. They exchange meaningful glances when she misses a point. They agree that she is not bright as they are, cannot reason as they do. This collusion does not save the daughter from the mother’s fate.” —Bonnie Burstow

Kate Bush for Electronic Soundmaker Magazine (October 1983)

Deep Cover (1992) You deal in vice, you pay the price. A heightened neo-noir, stylized and surreal. Fishburne’s elegant, poetic performance is the glue that holds it together. The lighting and cinematography is especially impressive, bathing the players in saturated primary blue and red.

Horror is and always will be political. Fuck anyone who says otherwise. Full fucking stop.

Love this vintage style poster for Anora

At first I was bummed about the small character limit on here, but now I enjoy the challenge of expressing my thoughts on movies more succinctly. I have a ton of other places where I can yap to my content, heh.

Blade Runner Sindy ✨

Today’s dissociation subject matter: I am ~FASCINATED~ with this ‘80s mall crowd that New World Pictures corralled together for a HELLBOUND: HELLRAISER II audience reaction trailer.

Mulholland Drive (2001) Have you ever woken up from a dream that you could hardly remember, but entirely overcome by a singular emotion?

My piece on Ari Aster’s filmography thus far.

The Straight Story (1999) “The worst part of being old is remembering when you was young.” A trip through Americana, with zero irony, just love for the folks who live there. People say it’s “not Lynchian” but dewy-eyed adoration for small town innocence is one of the most Lynchian things ever.

Great podcast covering David Lynch and his legacy!

Here’s my review for Companion! Although I was definitely entertained, I was slightly disappointed that it didn’t dive deeper into the social commentary that it sets up in the first act. Definitely worth a watch though, mainly for Sophie Thatcher’s performance.

Rabbits (2002) Everything is off but the laugh track still keeps on going. It’s somehow simultaneously comforting and ominous. Lynch was the master of mixing disparate emotions and elements, creating an emulsion every time.

Companion (2025) Flirts with deeper themes about love and objectification, but ultimately settles for thrills and entertainment. There can never be too many films about the dangers of the “nice guy” though.

Lost Highway (1997) “What the FUCK is your name?!”

I contributed an essay for this release of Gushing Prayer, coming in March from Terror Vision! It’s a provocative and experimental pinku film (also the first time I have written about one on a release, which I was stoked about). www.terror-vision.com/store/gushin...