mysteriousfoxes.bsky.social
Lead VFX Artist, drift king, feral wilderness prophet.
Credited work: Star Wars, Avengers, Indiana Jones, Transformers One, Mortal Kombat, Lilo & Stitch, Wicked, Dredd, and plenty of other (bad) films as well.
Owner of 1x Shiba Inu.
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308 posts
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233 following
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Funny thing is I left my jacket there so had to go back to collect it at lunchtime the following day. McAvoy was still there! He is friends with the barman, apparently. I gave him a grin & he looked at me with the most puzzled expression, as though he could remember me but wasn't sure where from.
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Are they inside, or outside, or both?
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This is the most Cal bleet ever
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Case in point; skip all the cutscenes in a modern Kojima game and many people would argue the experience becomes dramatically better.
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A lot of people probably read this weeks GQ interview and believe it to be profound. But actually it's standard Kojima bullshit; repeatedly over-explaining basic concepts as though imparting enlightened wisdom. Fetishism of celebrity. A superficial understanding of what others have achieved.
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Fuck me and we're not even done.
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My suspicions are that it's quite an insidious model; a lot of the harm in the industry (poor working conditions, mass layoffs, funding cuts, etc) are being outsourced to obscure international third party companies with no presence or visibility.
You're buying plausible deniability.
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Beyond this, it's quite an insidious model because a lot of the harm in the industry (poor working conditions, mass layoffs, funding cuts, etc) are being outsourced to obscure third party companies with no presence or visibility.
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You should subscribe to Edge and just leave them innocently lying around the house. Literacy traps.
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Boat Quay Book Club
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Sorkin thinks Josh is a cool guy in the same way Rothfuss thinks Kvothe is a cool guy.
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Right back atcha
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Also making any long-term business decisions during a period of such widespread economic uncertainty would be foolish.
Why spend millions investing in a business based on economic sanctions which may have been reversed by the end of the day. Better to wait 4 years for the dust to settle.
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Maybe if they incentivised production in America with tax breaks (as John Voight suggested in his proposal) you'd entice studios back stateside. But to establish those studios and convince the global workforce to fill them will take years. And money.
All the while, production will be on hold.
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The great irony here is that Hollywood is dependent on low international production costs and has spent over a decade exporting talent and resources to take advantage of that. You tariff international production fine, those studios close and relocate. But the staff? Good luck.
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Never forget.
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