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stephenbarden.bsky.social
Dad, step-dad, granddad & Sound Dog / editor / mixer 🐾 Recent: Den of Thieves 2, Nutcrackers, My Old Ass, Priscilla Next: In The Blink of an Eye, A Big Bold Beautiful Journey Love all music but have questions about new country & opera. šŸ€ not šŸ’ šŸ“TorontošŸ‡ØšŸ‡¦
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Also: The first two weeks of principal had to be reshot as they recast Marty McFly!
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Just finished watching the film at an MPSE event in Toronto with Scott in attendance…still a great looking and sounding film that engaged the audience entirely. Thanks to the MPSE and Vaughan International Film Festival for a great evening.
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#mpse
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Understood, thanks. I don’t feel quite so archaic! Is your SM / Radium Scratch recorder directory a permanently referenced folder in one of your SM databases or, at the end of a film, do you take the time to tidy it up and re-folder the ā€œkeepersā€ elsewhere? My Radium record folder overfloweth!
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Either way, do you simply rely on the default file naming out of Radium for those ā€œtemporaryā€ sounds (which, I appreciate, can now be used more methodically with Radium UCS naming in 6.2)? I struggle with quickly ending up with many auto-named SM REC files from Radium to later sort through. Thx!
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Do you allow newly recorded radium elements to show up in your SM database (as they do by default) and then spot them to your PT timeline from SM to continue working on them? Or do you have a script of some type that sends the new sounds to PT from a Finder folder?
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Tim, if I may, I have a question about your workflow unrelated to the 6.2 update. At 01:05:15 in your video you mention something a practice that I also have: Using Radium to create ā€œsource materialā€ that you then bring into PT to work with further. I’m curious about your workflow in doing so.
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#heromoves
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Given that those machines can’t be upgraded by users (if I recall correctly), I would put as much RAM in as you can afford. Also, in our labs, I used the old rule of keeping picture files on a separate bus/volume. We stored QuickTimes on the internal drive and PT sessions/media on external volumes.
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Pro Tools? Once you add picture, it will start to strain. In 20+ years of teaching, the greatest challenges I had with students using their own machines were traced back to the *other* things they will do with those machines. Conflicting software, installing Media Composer *and* ProTools, etc.
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@larsenonfilm.bsky.social Hmph…Knicks! (…and Pacers! Hello? 2000 ECF calling…)
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Congratulations, Frank. The track was wonderful, a perfect compliment to the entire film and one of my favourites of last year. Well done!
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When I first read this, I saw ā€œwhinersā€ as ā€œwinnersā€. Both words make a true sentence. (At least recent history.)
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Ahhhhhh yes…the Newsletters. Entirely sensible! Too much so for me, I guess. Thanks very much.
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We have a chain of book stores here in Canada (ā€œIndigoā€ā€¦similar to Barnes & Noble) that seems to always do right by Yalebooks. When I was doing my post-grad, they seemed to always have what I was looking for or could get it quickly. I was pleased to see yours listed as ā€œpre-orderableā€!
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Pre-ordered!
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Sympathies to you, Tim. Don’t beat yourself up too much. I bet that Don was chuffed to be able to follow the progress of your career and that your successes brought him great happiness. Our industry is better for what Don brought to it and you continue his legacy with your own efforts and skills.
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#truth
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British explorer George Vancouver, if my memory of high school Canadian History serves me correctly. But that was a *long* time ago in my studies…George might still have been alive then… šŸ˜
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Nearly as useful: CTRL+CMD + touch on an encoder brings up the corresponding automation lane in the edit window. (If you’re on a control surface of some kind.)
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Yeah, agreed…I’m just hoping it pushes Avid towards a fix. That said, I’ve been working in a different room for the last two weeks and I haven’t had a single one of these errors, nor has the other mixer on the dialogue side…and we both have (at least) a dozen folders open… šŸ¤·šŸ»ā€ā™€ļø
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šŸ¤¦šŸ»ā€ā™€ļø Frank, did you see my post on the DUC about an open folder track possibly being a contributor to this error? Or…you know…cancel your MC subscriptionā€¦šŸ™„šŸ¤Ŗ
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Congratulations, Steve. Just back from seeing it in the cinema. (Resisted watching the screener until I’d seen it in a proper room at least once.) Brilliant work.
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I thought you might enjoy Nathan and Dustin shooting in the garage under the mixing stage in the middle of the night. Elements that are featured in Silo S02!
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Yep. It’s what I cut my teeth on. Yeah, I said itā€¦ā€cutā€ā€¦
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I don’t think Nathan, Dustin or Craig are on here…but I’ll pass along the compliment! ā¤ļøšŸ”Š
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Alsoā€¦ā€qualityā€ vs. ā€œquantityā€ (no, not looking to open a debate on the merits of any artistic creation…I’m in favour of it all, especially amongst youth and marginalized people). Lastly (and without having read too deeply): Surely the 90 second ā€œsongsā€ that are so popular today skew this stat.