clockworkdva.bsky.social
I've got a job, a secretary, a mother, two ex-wives and several bartenders that depend upon me, and I don't intend to disappoint them all...
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Not a writer or an artist, but as someone working adjacently, I think this is correct. Scale distorts. All of the business models around the art itself have been corrupted by scale and disaggregation, even if the artists themselves rarely benefited. Something like this will be the path forward.
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You’ve said this in a few places, I’ve always been curious to hear a bit more why?
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I don’t know if it works on all vectors, but one that jumps to mind is Shelley Winters?
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That’s fascinating! Is my memory wrong, objections to tone or other specifics?
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The credits sequence with dolls by Saskia de Boer may be the most striking thing about the film to my eyes! The handcrafted uncanny valley seems just right for the narrative.
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It's still a very watchable adaption, having a particular time and geography (sexual liberation-era London) bound sense of humor to it. Claire Bloom was the highlight for me amongst the cast.
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Full piece: www.interviewmagazine.com/film/david-c...
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The Hal Hartley ‘Amateur’?
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Munich.
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Yes!
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Absolutely adore that film, despite it's flaws. The book his assistant wrote of it is interesting in it's own way, too.
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There's a stand-in for Truman Capote in the 'In Cold Blood' film. I haven't read the book, but I thought that was a film addition? However, the character doesn't influence the plot in areas not present. I think you may be right.