experimentego.bsky.social
Anglophonic Tsinoy | He/They | Twitch @ experimentego
Just a cat in a human suit. The death of print magazines put me on retirement. Sometimes I still get to write words.
"Aren't you, *the* Matthew Arcilla?" "I used to be."
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If Keighley were to consider the structural and cultural problems of the industry, and explore the little acts of rebellion that power the most unexpected successes... It would surface a cognitive dissonance he is actively trying to repress.
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And I get it: nobody expects deeper insights from Keighley about the state of gaming. But it's hard to square his position as full-time hype man with the lip service he gives to indies when his energy is, "yeah we recognize the trailblazers, but they're not actually welcome to the party."
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Keighley's goal in doing this, whether he realizes it or not, is to deflect scrutiny from the games industry itself. His language is designed to have these successes be absorbed back into the industry. "Nothing is broken or dysfunctional, you see? These games are a credit to us all!"
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Rather than highlight the risk-averse inclinations of 'publeechers' (as @ramiismail.com calls them), spotlight the lack of opportunities for leadership or advancement among juniors or contemplate the poor management endemic in big studios, Keighley asks you to see these games as exceptions.
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Sure, Keighley will devote a few sentences to the units sold, the size of the teams. But always the framing is about how these plucky endeavors have risen up alongside big releases and without support from trad publishers like Bandai Namco or 2K, emphasizing the moxie and resolve it takes.
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We actually see this get translated somewhat in the MCU, as he debuts in Captain America: The Winter Soldier as a trauma counselor. It's one of the few times the film series actually identifies more grounded aspects of the comics characters to poach.
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I don't expect licensed games to be overtly 'political' enough to single out fascists, but I expect there to be at least a good amount of elite mocking and savaging of the one percent. I mean, every target in HITMAN was always a stuck up bastard who literally and mechanically saw everyone as 'NPCs.'
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I cackled out loud. My cat is displeased.
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It's nice to see that the guy who made the Dead Island trailer is still getting work
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Nuh uh you are
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You can just ignore the OP and get on with your day. Find better things to do with your time, like enjoying Ghibli films the way you choose to.
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That's incredible coming from someone with several skeets about the awfulness of Wizarding World.
Don't get me wrong, I agree people should dump Hogwarts shit, but you're out here telling people how dogshit JK is while being defensive about how one enjoys Ghibli. Let people enjoy their transphobes!
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I mean the first sentence is an incomplete thought so I don't know what I'd be abiding. If you're going to mime a skeet with sarcasm at least do it correctly.
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Why are there always people who are like, "I want to enjoy things but your critique makes me unhappy so I'm mad at you." You can ignore the critique and continue to enjoy the thing the way you always did. If you simply cannot abide by a differing opinion existing then that's a you problem.
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A panel/cover conceived by Warren Ellis, known pest and abuser of women. God why do they all suck
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Would you elaborate on it if Paste Magazine paid you a couple hojillion dollars? :D
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I just keep a Pilgrim strapped to the side of my desktop PC. Why make a computer perform billions of calculations when you can have someone navigate space-time itself?!
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This Silent Hill content warning hits hard
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It's like watching my childhood play out in half-speed
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Are you sure you know words or am I just having a stroke same time as you
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You know he's a freak because he invokes his own name in allcaps and with quotation marks
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Fair but these seem like industry wide problems as in the case with Ubisoft games, Activision Blizzard games and many more and not a problem specific to IOI and Hitman! Not excusing it mind you, just saying the shittiness is on par with all else in the always online era of games.
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What are you talking about? I repeatedly play this game with disconnects / interruptions and experience no such dependence on servers outside of the online time I need to actually download the game or be logged in to my Steam account.
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Why did you use the picture of the Miami map? :P
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You mean the same games journalism that gets constantly yelled at, dismissed or disbelieved whenever they do write critical or investigative pieces about the games business such that it has become dangerous to out bad actors in the industry?
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The incompetence at Mario shall be passed down from generation to generation. This shall be the Game-Eating She-Monster legacy...
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It's simple they think there is a finite amount of America to go around. For every person who comes that's less America for all. They'll say those who are "a credit to the community" are welcome but not criminals, oblivious the distinction is one Trump's enforcers are too cruel and lazy to make.
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Always some weirdo writing for GQ who pens some breathless praise for a featured subject, and in so doing betray how little they know about the medium or industry the subject works with or inhabits. I'm not just being snide, an old coffee haunt subscribed to GQ for 15 years and I read every issue.