mariusbax.bsky.social
Norwegian film and cultural industries researcher who cares more about distribution than most people. Currently a postdoc at Aarhus University.
Rides bikes, plays hockey and tabletoprpgs.
Non-academic toots in Norwegian.
62 posts
665 followers
2,503 following
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Fortsatt verdens beste navn på Trøndersk pønkeband.
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En liiiiten republikk kanskje?
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Ping @postpacific.bsky.social
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Ooh. This is also my first paper where I’ve used R exenstively in the research - even if the heavy lifting was done by Martin in Python.
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A final point I’d like to mention is that we find that this is more likely to be a result of market logics rather than the various distinctiveness provisions in the countries PSM policies.
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All PSM catalogues, including those in the UK, a significant amount of content that does not travel. This indicates that they do make/comission content that is targeted towards specifically to their domestic audiences.
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Non-commerical PSM outside of the UK are also less reliant on returning seasons and theatrical films, which could indicate more risk-taking.
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In Scandinavia domestic productions are almost exclusively found in PSM catalogues, and non-commercial PSMs are particularly important for domestic childrens programming across the countries.
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In this article we use data from lumierevod.obs.coe.int and public IMDb data to examine if and how the VoD catalogues of PSMs in Scandinavia, UL and Germany are distinct from their competitors. The short answer is «yes».
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That is a very interesting idea! The only thing that comes to mind is a study on films submitted to «Amandus», Norwegian kids film festival. The resarchers found that technical skills improved with digtialization - but not the storytelling. (From memory - I can find it later.)
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Wolfwalkers
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Dokumentaren om The Velvet Underground
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Jeg tenker at det trønderske lynnet er litt som Jan Erik Vold «Det er håpløst/og vi gir oss ikke». Det meste kommer til å gå galt, men det går nok bra likevel.
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Blood Sugar Sex Magic treffer Red Hot Chillipeppers akkurat i overgangen mellom «intressant, men dårlig» og «kjedelig, men bra». Jeg liker den plata veldig godt, men nesten alt de andre de har gjort er mest irriterende.
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Lou Reed, opprinnelig til skuespillet Time Rockers, og senere på plata Ecstacy (2000).
Og ekstra passende er det at Ecstacy er en plate som kretser rundt bruddet med Sylvia Reed og det nye forholdet til Laurie Anderson. (Som også brukte denne låta i filmen Heart of a dog fra 2015).
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Turning Time Around
She says, What do you call love
Well I call it Harry
Oh, please I'm being serious
What do you call love
Well I don't call it family and I don't call it lust
And as we all know marriage isn't a must
And I suppose in the end, it's a matter of trust
If I had to I'd call love time
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Ungt norskt lag - som ikke er like samspilt som forrige generasjon, men det er lov å håpe at de kan komme dit. Må nok ærkjenne at det er vel fortjent at Danmark spilte seg til OL på vår bekostning i vinter. Og så skal jeg heie på Danskene i kveldens kamp (om kvartfinalel) mot Tyskland.
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Bra. Men det var helt kvalmende spennede. Norge var klart best, men det ble med en eneste scoring. Og Ungarn hadde berget plassen på vår bekostning om det hadde blitt uavgjort ved ordinær tid.
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Nå står det om Norges framtid i A-VM!
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It's always the oddest feeling to be reading a paper and come across a sentence or paragraph and think "wait, they're saying this exactly the way I would...gosh that sounds a lot like my voice, my cadence, my turn of a phrase....oh, wait, no...I remember writing this!"
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I later accidentally reread it without rembering that I had graded it before, and started noticing that a lot of sentences seemed very familiar. And then I realized that almost all of the paper was directly cut and translated from my thesis.
Not sure I would have caught this in an LLM era.
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A couple of years back I was grading papers and one struck me as very poorly written and also far to much relaint on a single soure - even if that source was my thesis. I gave it a poor, but passing grade.
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My little brother, @dustopi.bsky.social is always great at the table. Partially because he loves to play slightly stupid fighters with a big heart that always get the story moving in some way or other.
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Men det ble tap da. (For Norge vel å merke)
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Jeg liker Across the Great Divide fra 2002 veldig godt - men det er to helt jævlige låter på den. Nærmere bestemt duettene med Kid Rock og Brian McKnight.
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Excited for my students’ papers to have random product placement
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Since the dawn of time, people have shopped at Amazon
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"In this essay I will explore female representation in Disney's early work. In particular, Snow White, which is available on DisneyPlus for 9.99 a month. Sign up now for 3 months access for free and gain exclusive access to this and other great movies and TV shows."