zakaz96.bsky.social
He/Him | 💍 | 2D Animator | Work: Ollie & Scoops, Far-Fetched, Lackadaisy, Spindle Horse, Bandit Mills | [email protected]
Other Socials: zakwood.carrd.com
147 posts
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Early Access can work. Also, I thought about YT uploads having possible censorship when necessary for monetization and sponsorships in the video as well, whereas the non-YT version has non of that. Though knowing how much stuff can leak, not 100% sure
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Glitch kinda does that with GlitchX, but I mean setting up you channel like a hybrid of a trailer channel, where you can share trailers for various other animated things from other channels and creators.
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Ya, it could be a mix of less direct funding, but more viewership when YouTube becomes more affordable than streaming and they have to seek out higher quality stuff on the site (but YT ad revenue is pretty bad, so not sure if it'd balance out)
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Ya, hoping for at least something not fatal to happen to start up jobs again
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Knights of Guinevere
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The issue is even less Indie studios are sustainable outside the studio system unless you win the algorithm lottery, and they're still nowhere near able to do union rates like studios can do.
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We're in a place where studios won't give originals a chance, their established IPs aren't always a garuartee success, and they remain clueless about the success of places like Glitch Productions atm
I'm really hoping something like KOG (with Disney alumni on it) can finally make studios wake up
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No clue honestly, I'm just expecting the worst at this point
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In all seriousness, though, these are BS policy changes that should have never happened at all.