Come on, Goncharov was a shoe-in for best soundtrack. "In the Church at Midnight" was not only the best soundtrack song that year, but possibly the best out of all mafia movies, at least those I've seen.
I'm not convinced CODA was real. I've never seen it, never met anyone who claimed to have seen it, have never seen a copy on physical media, and this is the first time everyone reading this comment has thought about it in at least two years
After months and months of “Anora” buzz, hours spent talking about “Anora” around the water cooler, and lining up all day to watch “Anora” on opening night, how can anyone doubt that “Anora” is the most impactful movie of its generation?
Comments