Yeah. My personal, weird, arbitrary opinion on copyright length is, You should be able to raise kids and retire on your output, but your grandkids shouldn't expect to be set up for life on it. Natural Life plus a decade or two for individuals always felt like plenty.
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Daniel J. Willis
My hot take was always lifetime plus 10 years for individuals, 20 years or until it's no longer commercially available for corporations. And corporations are allowed to leave the copyright with the individual and rent it back from them if the creator agrees to it.
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That's why I like Natural Life + 20.
And a flat 50 years for corporate-owned "work for hire" stuff. In year 51, it all goes into the public domain.
When did the author of this book published in 1953 pass is not a simple question. Is it 14/35/70 years since creation is easier.
I like a sort of fading copyright, you get full control for X years, it's yours, after that it's public domain but you get royalties if you're about-like the way patents can work. Fixed terms were always a preference
Entertainment IPs should be strictly limited to those with a beating heart, grumbling stomach and a pair of lungs which disqualifies corporations.
And inheritances? Capped at $100k.
But as a PD-exploiting publisher: require renewals, please!